{"id":118,"date":"2013-10-13T12:50:42","date_gmt":"2013-10-13T12:50:42","guid":{"rendered":"http:\/\/promusint.com\/danieladingiullo\/wp\/?page_id=118"},"modified":"2024-10-17T12:24:56","modified_gmt":"2024-10-17T12:24:56","slug":"repertoire","status":"publish","type":"page","link":"https:\/\/promusint.com\/danieladingiullo\/home\/repertoire\/","title":{"rendered":"Selected repertoire"},"content":{"rendered":"<h4><\/h4>\n<h4><span style=\"color: #800000;\">OPERA<\/span><\/h4>\n<p>Gaetano Donizetti, <em>La Rita <\/em>(Rita)<em><br \/>\n<\/em>Juan Trigos, <em>Ella-Miau <\/em>(Ella-Miau)<br \/>\nJuan Trigos, <em>DeCachetitoRaspado<\/em> (Siam\u00e9s II)<br \/>\nVictor Rasgado, <em>El Conejo y el Coyote <\/em>(Conejo)<br \/>\nGiuseppe Verdi, <em>Rigoletto<\/em> (Gilda)<\/p>\n<h4><span style=\"color: #800000;\">SOLOS, CHORUS &amp; ORCHESTRA<\/span><\/h4>\n<p>Juan Trigos, <a title=\"Media\" href=\"http:\/\/promusint.com\/danieladingiullo\/media\/\">Cantata N.3 <em>Phos Hilaron<\/em><\/a><br \/>\nJuan Trigos, Cantata N.1 <em>Magnificat Guadalupano<\/em> &#8211; SOPRANO, TENOR, BARITONE, GUITAR, CHORUS &amp; ORCHESTRA (*)<\/p>\n<h4><span style=\"color: #800000;\">ORCHESTRA<\/span><\/h4>\n<p>Samuel Barber, Knoxville, Summer 1915 (*)<br \/>\nBenjamin Britten, <em>Quatre Chansons Francaises<\/em>\u00a0(*)<br \/>\nBenjamin Britten,<a href=\"https:\/\/promusint.com\/danieladingiullo\/home\/media\/\"><em> Les Illuminations<\/em><\/a><br \/>\nAaron Copland,\u00a0Eight Poems of Emily Dickinson (*)<br \/>\nGustav Holst, <a href=\"https:\/\/promusint.com\/danieladingiullo\/home\/media\/\"><em>The Mystic Trumpeter<\/em><\/a><br \/>\nWitold Lutos\u0142awsk, <em>Chantefleurs et chantefables<\/em><br \/>\nSalvador Moreno, <em>Four Aztec Songs<\/em> (Arr. &amp; Orch. by C.Vidaurri)<br \/>\nMaurice Ravel, <em>Sh\u00e9h\u00e9razade<\/em><br \/>\nJuan Trigos, \u00a0<a title=\"Media\" href=\"http:\/\/promusint.com\/danieladingiullo\/media\/\">Symphony N.4 <em>Nezahualcoyotl Icuicahuan<\/em><\/a><br \/>\nHector Villalobos, <em>Bachianas Brasileira N.5<\/em><\/p>\n<h4><span style=\"color: #800000;\">CHAMBER ORCHESTRA<\/span><\/h4>\n<p>Juli\u00e1n Orb\u00f3n, <em>Hymnus ad Galli Cantum<\/em><br \/>\nPergolesi, <em>Salve Regina<\/em> in C<\/p>\n<h4><span style=\"color: #800000;\">SOLOS, CHORUS &amp; ENSEMBLE<\/span><\/h4>\n<p>Ottorino Respighi, <em>Lauda per la nativit\u00e0 del Signore<\/em><br \/>\nIgor Stravinsky, Cantata for Soprano, Tenor, Female Chorus and Ensemble<\/p>\n<h4><span style=\"color: #800000;\">ENSEMBLE<\/span><\/h4>\n<p>Luciano Berio, <em>Folksongs &#8211;<\/em> VOICE &amp; ENSEMBLE\/ORCHESTRA<br \/>\nSofia Gubaidulina, <em>Hommage \u00e0 T.S. Eliot<\/em><br \/>\nJames J. Ogburn, 3 Bills &#8211; SOPRANO &amp; ENSEMBLE<br \/>\nIgor Stravinsky, <em>Four Russian Songs<\/em><br \/>\nJuan Trigos, Cantata N.2 &#8211; SOLOS, CHORUS &amp; ENSEMBLE<br \/>\nJuan Trigos, <em>Tlaltecatzin Icuic<\/em>, SOPRANO &amp; ENSEMBLE<br \/>\nJuan Trigos, <em>Variazioni Concertanti<\/em>, SOPRANO &amp; ENSEMBLE<br \/>\nRicardo Zohn-Muldoon, <em>Comala<\/em> &#8211; SOLOS &amp; ENSEMBLE<br \/>\nRicardo Zohn-Muldoon, <em>Flores del Viento<\/em> III SOPRANO &amp; ENSEMBLE<br \/>\nRicardo Zohn-Muldoon, <a title=\"Media\" href=\"http:\/\/promusint.com\/danieladingiullo\/media\/\">Suite N.2 from <em>Comala<\/em><\/a> &#8211; SOPRANO &amp; ENSEMBLE<br \/>\nCarlos Vidaurri, <em>Canciones e interludios<\/em> &#8211; VOICE &amp; ENSEMBLE<\/p>\n<h4><span style=\"color: #800000;\">VOICE AND STRING QUARTET<\/span><\/h4>\n<p>Juan Trigos, String Quartet N.2<br \/>\nSchubert, Salve Regina op.153<\/p>\n<h4><\/h4>\n<h4><strong><span style=\"color: #800000;\">OTHER CHAMBER WORKS<\/span><\/strong><\/h4>\n<p><span style=\"color: #800000;\"><strong>VOICE, FLUTE AND GUITAR<\/strong><\/span><br \/>\nJuan Trigos, <em>Soliloquio\u00a0<\/em>from Cantata N.3 <em>Phos Hilaron<br \/>\n<\/em>Juan Trigos,<em> Comentario II <\/em>from Cantata N.1\u00a0<em>Magnificat Guadalupano<br \/>\n<\/em>Manuel Valls, <em>Canciones Sefarditas<\/em><\/p>\n<p><strong><span style=\"color: #800000;\">VOICE AND GUITAR<br \/>\n<\/span><\/strong>Federico Bonacossa, <em>Notturno<\/em><br \/>\nBenjamin Britten, <em>Folk Songs<br \/>\n<\/em>Gabrio Taglietti, <em>Capricci apocrifi<\/em><br \/>\nHosokawa Toshio, <em>Renka I<\/em><br \/>\nJuan Trigos,<em> Comentario III and IV <\/em>from Cantata N.1\u00a0<em>Magnificat Guadalupano<br \/>\n<\/em><\/p>\n<p><strong><span style=\"color: #800000;\">VOICE AND CELLO<br \/>\n<\/span><\/strong>Douglas Knehans, Une seule femme endormie<br \/>\nJohn Tavener, Akhmatova Songs<\/p>\n<p><span style=\"color: #800000;\"><strong>VOICE AND PIANO<\/strong><br \/>\n<\/span>Carlos Vidaurri, <em>Seis Alj\u00f3fares<br \/>\n<\/em>Alban Berg, <em>Sieben frue lieder<\/em><br \/>\nLuciano Berio, \u00a0<em>Four popular songs<\/em><br \/>\nAlfredo Casella, <em>Tre Canzoni Trecentesche<br \/>\n<\/em>Odaline de la Martinez, <em>After Sylvia<\/em><br \/>\nJoaqu\u00edn Guti\u00e9rrez-Heras, <em>Canci\u00f3n de cuna<\/em><br \/>\nJim\u00e9nez Mabarak, <em>Tres canciones de J.G. Dur\u00e1n<\/em><br \/>\nIldebrando Pizzetti, <em>I Pastori<br \/>\n<\/em>Maurice Ravel, <em>Cinq M\u00e9lodies Populaires Grecques<\/em><br \/>\nErik Satie, <em>Trois melodies<\/em><br \/>\nJuan Trigos, <em>Four Poems by Ezra Pound<\/em><br \/>\nEdgard Var\u00e8se, <em>Un grand sommeil noir<\/em><br \/>\nJes\u00fas Villase\u00f1or, <em>Tres Canciones de A.Machado<br \/>\n<\/em>&#8211;<br \/>\nSterling Gray,<em>In Hidden Rooms\u00a0&#8211; SOPRANO\/PERCUSSION, PIANO &amp; TAPE<br \/>\n<\/em><\/p>\n<p><span style=\"color: #800000;\"><strong>VOICE AND ELECTRONICS<br \/>\n<\/strong><\/span>Louis Aguirre, <em>Oru a Olokun<\/em><br \/>\nGeorge E. Lewis, <em>Memorial<br \/>\n<\/em>Hannah Selin, <em>Meditation on 82<\/em><\/p>\n<p class=\"style-scope ytd-watch-metadata\">\n<p><em>\u00a0<\/em><\/p>\n<p><span style=\"color: #800000;\"><strong>\u00a0<\/strong><\/span><\/p>\n<p><strong>Notes:<\/strong><\/p>\n<p>* <em>in process\u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>OPERA Gaetano Donizetti, La Rita (Rita) Juan Trigos, Ella-Miau (Ella-Miau) Juan Trigos, DeCachetitoRaspado (Siam\u00e9s II)<\/p>\n<p><a href=\"https:\/\/promusint.com\/danieladingiullo\/home\/repertoire\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\">Selected repertoire<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"templates\/right-sidebar.php","meta":{"nf_dc_page":"","footnotes":""},"class_list":["post-118","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":false,"_links":{"self":[{"href":"https:\/\/promusint.com\/danieladingiullo\/home\/wp-json\/wp\/v2\/pages\/118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/promusint.com\/danieladingiullo\/home\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/promusint.com\/danieladingiullo\/home\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/promusint.com\/danieladingiullo\/home\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/promusint.com\/danieladingiullo\/home\/wp-json\/wp\/v2\/comments?post=118"}],"version-history":[{"count":5,"href":"https:\/\/promusint.com\/danieladingiullo\/home\/wp-json\/wp\/v2\/pages\/118\/revisions"}],"predecessor-version":[{"id":961,"href":"https:\/\/promusint.com\/danieladingiullo\/home\/wp-json\/wp\/v2\/pages\/118\/revisions\/961"}],"wp:attachment":[{"href":"https:\/\/promusint.com\/danieladingiullo\/home\/wp-json\/wp\/v2\/media?parent=118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}